Friday, March 9, 2012

I was speaking with a student at the end of class and she wanted clarification on the Form exercise I wanted you all to do. So I showed her this drawing. It has a clearly developed sense of form. And I started to wonder....once you put the lines in the right place and understand the concept- what actually makes the form POP!
1. Contrast! And I think that goes for Light/Dark as well as Line (Thick/Thin)
2. Something clearly defined and some parts blurry. Just depends on what you are looking at as to where this happens.
3. Empty space or places of calm...and then areas that are packed! Usually these also come up as you draw, one area just resolves easily and looks "formed" while others require work/reworking until they make sense!

Lastly, I was thinking about what makes a drawing appear to be finished and not just a sketch? Could you all comment here? And possibly post your form sketches and what you consider finished- and why!

Have a great break! Tom

Sunday, March 4, 2012

Form Part 2 Value (Light!)






Here are a few images to inspire. The first two are just demonstration thinking and the next three are a traditional work in progress.
The rest here are inspiration. Consider how Value can be used to express emotions! If you like anything you see here, try it out! See how to make it work and I will help you along in class!!







Friday, March 2, 2012

Form HW


Homework

I. Here is the handout I showed you in class this week. Your homework is to create a complex drawing of an object showing all you know about FORM. In this drawing (or the accompanying studies) you will have all the studies you did to understand this object. I would expect you to use some of what you learned while working from the masters you admire so that these drawings are not only "studies" but drawing that show us something about how you think or feel about this object/situation.

II. For your midterm you will have to scan/or photograph the most important work you have done up to this point and any copies of master or drawing images that you have collected. This work will be gathered into one POST, properly labelled with your name so that I can search it easily for my midterm comments and evaluation. The deadline for this post is March 16th- anything posted after this date will not be considered. (You may go to the 55 W 13th lab to get tutoring on how to post if you are lost- or talk to friends.)

Following are some inspirations and one demonstration on form.

Paul Cadmus


Jenny Saville
Sir Alec Isigonnis
Durer

Have a great week. Work hard, be well, Tom

Tuesday, February 21, 2012

Week 5 HW

1.a. This week you are required to look at 4 artists- 2 from the Contemporary List and 2 from the Historical List. b. Print out some FULL COLOR (even if they are GRAY) high quality prints for your personal files that you will share with the class. c. Draw from your favorites in a manner akin to them. Copy a section. Try to understand why they drew the way they did. What does it communicate when you do it and your “manner or hand” shows? How is it different and what can you do to make it respond to their methods better. In addition to the studies you do, make sure you also do a FULL COMPOSITION sketch of each work.
2.Also Under “Websites of Interest” go to Maucaulay, Rome Antics on TED, Perspective (familiarize yourself with the basic rules and terms, we will go over it in depth in class- you must prepare ahead).
3. Visit ONE site from Contemporary Drawing or Sketching/Sketchbooks listed under websites.
4. Test and Evaluate. When we draw, do we know what we are doing in the moment? Probably not or hopefully not! This is why reflection and review of what we did is important.
Practice drawing 20 gestures from 1 second and increasing in speed until you have spent a few minutes per drawing. Do three sets of 20.
5. You are required to post one fascinating thing you find this week on the class blog. You must include your drawing based on this thing.



Artists Known for their Drawing

Historical

Dali, Salvador
Daumier, Honore
DeChirico
Degas
Delacroix
Freud, Lucien
Giacometti, Alberto
Goya - Disasters of War
Hockney, David
Ingres, Jean-Auguste
Lautrec, Toulouse
Matisse, Henri
Picabia
Piranesi
Pontormo
Prudhon, Pierre Paul
Raphael
Rauschenberg
Rubens, Peter Paul
Rembrandt
Schiele, Egon
VanGogh, Vincent
Vesalius- Anatomical Drawings
Titian
 
Contemporary

Ali, Laylah
Bauer, Marc
Crotty, Russell
Currin, John
Guston, Philip
Johns, Jasper
Kilgallen, Margaret
McGee, Barry
Mehretu, Julie
Noble, Paul
Nordstrom, Jockum
Pettibon, Raymond
Phillips, Tom
Plender, Olivia
Stackhouse, Robert
Twombly, Cy
VonHeyl, Charlene
Winters, Terry


Websites of Interest:

Contemporary Drawing
Mag and FanZines with an art and design bent:  http://www.mottodistribution.com/site/
fukt, drawing mag: http://www.fukt.de/


Website of Graphic designer Ira Robbins with everyday sketches of people: http://sketchfortheday.blogspot.com/
Portrait drawing demonstration on YouTube (6 parts about one hour total) working from the mid-tone: http://web.mac.com/thomasbutlerart/Domenic_Cretara_art_artist/Demo_Video.html

Illustration
Illustrator David Macaulay gives a lecture on how he conceived the book Rome Antics, with its unusual perspective: http://www.ted.com/talks/david_macaulay_s_rome_antics.html
If you are interested in Illustration: http://giam.typepad.com/100_years_of_illustration/

Perspective

Sketching/Sketchbooks
Website of Illustrator Danny Gregory with a YouTube journey through his sketchbooks: http://www.dannygregory.com/
Network of artists around the world who draw the cities where they live and travel to: http://www.urbansketchers.com/


Bibliography

Parallax, Steven Holl (architecture)
Vitamin D: New Perspectives in Drawing (Themes) by Emma Dexter
Pictures Showing What Happens on Each Page of Thomas Pynchon's Novel Gravity's Rainbow, by Zak Smith and Steve Erickson
Drawing Now: Eight Propositions, by Laura J. Hoptman
Drawing Now: Between the Lines of Contemporary Art, by Tracey
Drawing Projects: an exploration of the language of drawing, Mick Maslen and Jack Southern Drawing/Thinking, Confronting an Electronic Age, by Marc Treib
Drawing: Mastering the Language of Visual Expression, by Keith Micklewright
What It Is, by Lynda Barry
The Natural Way to Draw by Nicolaides

Tuesday, January 31, 2012

Treib Drawing

Treib Drawing